Jacob Maris

(August 25, 1837, The Hague - August 7, 1899, Karlsbad) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. Maris studied at the Antwerp Academy, and subsequently in Hubertus van Hove's studio during a stay in Paris from 1865 till 1871. He returned to Holland when the Franco-Prussian War broke out, and died there in August 1899. Though he painted, especially in early life, domestic scenes and interiors invested with deeply sympathetic feeling, it is as a landscape painter that Maris excelled. He was the painter of bridges and windmills, of old quays, massive towers, and level banks; even more was he the painter of water, and misty skies, and chasing clouds. In all his works, whether in water or oil color, and in his etchings, the subject is always subordinate to the effect. His art is suggestive rather than decorative, and his force does not seem to depend on any preconceived method, such as a synthetical treatment of form or gradations of tone. And yet, though his means appear so simple, the artist's mind seems to communicate with the spectator's by directness of pictorial instinct, and we have only to observe the admirable balance of composition and truthful perspective to understand the sure knowledge of his business that underlies such purely impressionist handling.
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Jacob Maris Dutch Town on the Edge of the Sea oil painting


Dutch Town on the Edge of the Sea
el Pueblo holandés al borde del Mar
Pintura Identificación::  11808
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el Pueblo holandés al borde del Mar
1883 2' 4 3/4'' x 4' 2' (73 x 127 cm)Gift of Abraham Preyer,1926
1883 2 ~ 4 3/4 ~ ~ X 4 ~ 2 ~ (73 X 127 cm) Regalo de Abraham Preyer, 1926
1883 2'_4_3/4''_x_4'_2'_(73_x_127_cm)Gift_of_Abraham_Preyer,1926
   
   
     

Jacob Maris Village near Schiedam oil painting


Village near Schiedam
Pintura Identificación::  74498
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Village near Schiedam
oil on canvas, 48,5 x 78,5 cm cjr
oil_on_canvas,_48,5_x_78,5_cm cjr
   
   
     

Jacob Maris Praying Monk oil painting


Praying Monk
Pintura Identificación::  92970
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Praying Monk
1864(1864) Medium oil on copper Dimensions 21.5 X 15.5 cm (8.5 X 6.1 in) cjr
1864(1864) _ Medium_oil_on_copper _ Dimensions_21.5_X_15.5_cm_(8.5_X_6.1_in) _ cjr
   
   
     

Jacob Maris Harbour View oil painting


Harbour View
Pintura Identificación::  92971
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Harbour View
c. 1887(1887) Medium oil on canvas Dimensions 30 X 45.5 cm (11.8 X 17.9 in) cjr
c._1887(1887) _ Medium_oil_on_canvas _ Dimensions_30_X_45.5_cm_(11.8_X_17.9_in) _ cjr
   
   
     

Jacob Maris Gray day with ships oil painting


Gray day with ships
Pintura Identificación::  92972
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Gray day with ships
1877(1877) Medium oil on canvas Dimensions 60 X 38 cm (23.6 X 15 in) cjr
1877(1877) _ Medium_oil_on_canvas _ Dimensions_60_X_38_cm_(23.6_X_15_in) _ cjr
   
   
     

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     Jacob Maris
     (August 25, 1837, The Hague - August 7, 1899, Karlsbad) was a Dutch painter, who with his brothers Willem and Matthijs belonged to what has come to be known as the Hague School of painters. Maris studied at the Antwerp Academy, and subsequently in Hubertus van Hove's studio during a stay in Paris from 1865 till 1871. He returned to Holland when the Franco-Prussian War broke out, and died there in August 1899. Though he painted, especially in early life, domestic scenes and interiors invested with deeply sympathetic feeling, it is as a landscape painter that Maris excelled. He was the painter of bridges and windmills, of old quays, massive towers, and level banks; even more was he the painter of water, and misty skies, and chasing clouds. In all his works, whether in water or oil color, and in his etchings, the subject is always subordinate to the effect. His art is suggestive rather than decorative, and his force does not seem to depend on any preconceived method, such as a synthetical treatment of form or gradations of tone. And yet, though his means appear so simple, the artist's mind seems to communicate with the spectator's by directness of pictorial instinct, and we have only to observe the admirable balance of composition and truthful perspective to understand the sure knowledge of his business that underlies such purely impressionist handling.

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